Fiber Focus

For textile and fiber art addicts who are curious about the world.

Rayela Art

Fair Trade/MicroEnterprise

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Fair Trade/MicroEnterprise

This group is for anyone interested in the production of textiles where the focus is economic development. It can include NGOs, fair trade groups and microenterprise efforts.

Members: 11
Latest Activity: Aug 8

Discussion Forum

Rayela Art

Product Development 2 Replies

Started by Rayela Art. Last reply by Rayela Art May 10.

Rayela Art

Marketing a Producer Group 1 Reply

Started by Rayela Art. Last reply by GOPI KANTA GHOSH May 7.

Rayela Art

Fair Trade Resources

Started by Rayela Art May 6.

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GOPI KANTA GHOSH Comment by GOPI KANTA GHOSH on August 8, 2009 at 12:03am
SUSANTO MUST THINK...
Rayela Art Comment by Rayela Art on August 7, 2009 at 11:06pm
Looks great, Susanta! Would it be OK if I posted the slide show and the text you gave in my blog? www.fiberfocus.blogspot.com

Where can people see it? Is it for sale anywhere?
GOPI KANTA GHOSH Comment by GOPI KANTA GHOSH on August 6, 2009 at 11:41pm
TRY IT OUT...
SUSANTA BISWAS Comment by SUSANTA BISWAS on August 6, 2009 at 12:09pm
As the film is a copyrighted one, I'm posting a slide-show of some stills of the film which can give an idea about the content of the documentary:

Stills from "Artistic approach" -- a documentary by SUSANTA BISWAS

Rayela Art Comment by Rayela Art on August 6, 2009 at 12:03pm
Wow! Lots of wonderful things going on with several of you! Susanta, is there a way we can see your movie? Looks very interesting. Paula, I have those links on my list of things to read when I get some time where I can focus. Wonderful!
GOPI KANTA GHOSH Comment by GOPI KANTA GHOSH on August 6, 2009 at 12:10am
GREAT WORK SUSANTA...
SUSANTA BISWAS Comment by SUSANTA BISWAS on August 6, 2009 at 12:08am
It's my pleasure to share an information with the group members on the historical event of small and medium enterprise in India, as follows:

The documentary on the historical event of establishing the first Small and Medium Forest Enterprise (SMFE) in India


The Government of India as a part of its state planning under the eleventh plan is promoting Small and Medium Enterprise to enhance the rural income and ensure rural development. National Afforestation and Eco-development Board as a working body of Ministry of Environment and Forests, is facilitating Joint Forest Management Committees for their sustenance by implementing seven Small and Medium Forest Enterprise pilot projects through its Regional Centres in seven different regions.

The Regional Centre, National Afforestation and Eco-Development Board, Jadavpur University, Kolkata, a nodal centre under the Ministry of Environment & Forest, Government of India has motivated, trained and sensitized nearly 1000 tribal men and women in Dhalbhum Forest Development Agency forming about 100 self-help groups. Dhalbhum Forest Development Agency includes nine Joint Forest Management Committees namely Mejogora, Harina, Narayanpur, Roteda, Dhengam, Bhukamdih, Kundrukocha, Ranikudar and Monahdih consisting of 20 villages at Potka Developmental Block in East Singbhum district of Jharkhand. It is situated at a distance of about 60 km to the south of Tatanagar, the industrial city of Jamshedpur. The tribal villagers of this forest fringe area are either small or marginal farmers which cause their dependence on forest for fuel wood, fodder and part of livelihood.

The centre prepared them to undertake various activities like Tassar Cultivation leading to silk production, Lac cultivation, Grass mat designer products and Bamboo artifacts production so as to produce saleable products for national and international market. A state level buyers sellers meet was organized at Jamshedpur by the Regional Centre to give the tribal villagers and their produces a nation-wide market exposure and establish convergence with different organizations and sectors like various Government departments for development of funds, Bankers for regular credit flow, Insurance companies for social security, District Rural Development Agency, Jharkhand Tribal Development Society and Corporate Sectors for infrastructure development and marketability of the products.

The Joint Co-ordinator of the Regional Centre, National Afforestation and Eco-Development Board, Jadavpur University, Kolkata, Prof. Dr. Asis Mazumdar opined that the whole process under the eleventh Plan, made the initiative of the Regional Centre, a grand success in establishing the first Small and Medium Forest Enterprise in India, at Potka under Dhalbhum Forest Development Agency, East Singhbhum, Jharkhand. The Self-Help Groups of tribal artisans dwelling in the forest fringe villages forming well motivated Joint Forest Management Committees are actively getting involved with Small and Medium Forest Enterprises for preserving and protecting the forest.

The Regional Centre has produced a documentary on establishing the first Small and Medium Forest Enterprise in India titled Artistic approach, a film by Susanta Biswas. The documentary got selection for the 8th International Social Communication Cinema Conference organised by Roopkala Kendro, Department of Information & Cultural Affairs, Government of West Bengal in collaboration with Nandan, West Bengal Film Centre.

The screening of Artistic approach was held on February 19, 2009, Thursday at 7.30 pm in Nandan as a part of the social communication conference on cinema. Chief Minister Budhadeb Bhattacharjee inaugurated the 8th International Social Communication Cinema Conference 2009 at Nandan on Sunday, February 15, 2009. Mr Ashok Bhattacharya, Director and CEO Roopkala Kendra, said this event will help bring mass awareness on social developments across the globe, over the years.

Roopkala Kendro and the Department of Panchayats and Rural Development, Government of West Bengal with the technical guidance of Indian Space Research Organisation regularly telecasts documentaries like “Artistic approach” to conscienticize, educate and inspire government officials, representatives of Panchayati Raj Institutions, and members of the public. It reaches every nook and corner of West Bengal through 341 Receive Only Terminal situated in the premises of the Panchayat Samity, also the office of the Block Development Officer.
Valerie Hearder Comment by Valerie Hearder on August 5, 2009 at 6:44pm
Hi Paula:
I was fascinated to read about your project with the Namibian wood carvers.
It is a wonderful thing to dove-tail this product with quilters who are always looking for interesting new techniques. You have already made a big in-road by teaching at the Stitching Post at Sisters - congratulations -
I hale from Durban SA originally and live in Nova Scotia. I hope you get a chance to check out my African Threads business.
Lovely to meet you here and hop to her more about your successes.
regards,
Val Hearder
GOPI KANTA GHOSH Comment by GOPI KANTA GHOSH on August 5, 2009 at 1:00am
STAMPING GIVES DISCHARGE EFFECT SO THERE IS DEMAND...BUT YOUNG PEOPLE DO NOT HAVE PATIENCE AND RETURN IS ALSO SMALLER...THERE IS NEED TO PLAN ACCORDING TO SITUATION...IN INDIA IT IS TOTALLY DIFFERENT...SO PLANNING HAS TO BE ACCORDANCE TO SITUATION...
Paula Benjaminson Comment by Paula Benjaminson on August 4, 2009 at 3:21pm
Hi everyone,
I'm glad that a group like this exists, and that I can be a part of it! Before I moved here to Ottawa last summer, I lived in Windhoek, Namibia, in southern Africa. While I was in search of custom framing for an antique map my husband bought, I found the Oshiwa Designs workshop----and discovered a treasure trove of hand-carved wood printing blocks. The Oshiwa artisans are trying to preserve a dying tradition of hand carving in a rapidly urbanizing society that is increasingly leaving behind this aspect of their culture. Young people find it hard to see the value of this painstaking work, and tend to lack the patience to build skill in carving. The Oshiwa Designs group is trying to make a living from their artistry, and I am trying to help. I use the beautiful blocks they make to do fabric stamping, making unique pieces of fabric to use in my art quilts, and I teach workshops to other quilters interested in exploring the possibilities these culture-laden designs can give to their work. I see the hand of each carver in his blocks, and the heritage he carries in his hands is in turn passed on by images we stamp onto our fabrics.
I have been stamping with these blocks and volunteering my time as a sounding board and advocate for several years now, despite leaving Windhoek. The first real support we received from the quilting world was from Jean and Valori Wells of the Stitchin' Post in Sisters, Oregon, when they bought a large carton of blocks and hired me to teach two workshops at this year's Quilter's Affair last month. I cannot overstate my gratitude to them for seeing the beauty in the Oshiwa blocks and being willing to put their money on the line! We could use more insightful leaders like these two businesswomen, but in the meantime, I'm hoping that this forum will help me to help the Oshiwa folks make a living from their art. Any advice would be welcome!
You can see interviews with the carvers Paulus Mutunda, Josef Kanwa, and Dhumba Joseph at www.promoteafrica.org and the blocks at www.oshiwa.com

Paula
 

Members (11)

Rayela Art GOPI KANTA GHOSH Lainie Priscilla Kibbee SUSANTA BISWAS Ellen Agger Catherine Salter Bayar Valerie Hearder Lorelei Johnson VerLee Mrs. Anita Sanjay Bhat Paula Benjaminson
 
 

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Free Vintage Paper Doll Pattern



Karen's Whimsey has this free Paper Doll pattern on her website.  Clothing for the doll also available.  Images are in the public domain.


American Folk Art Doll Pattern



This doll pattern and other folk patterns can be purchased at Cloth Doll Supply.  Their description:

HISTORICAL FOLK DOLL #11
The New York Doll

This 16" doll has made herself quite famous by being chosen to be on the cover of a well-known book of American Folk Dolls, by Wendy Lavitt. She is such a good doll for a cover as she has just about all the best details of this type of doll. Separate fingers, a wonderful and exaggerated face and hair all carefully embroidered, including her remarkable feather-stitched eyebrows, and a costume of just-right simplicity and detail. She has with her the same small cat the doll in the photo has. Silkscreened for embroidery and new antiquing methods included.
Pattern (mini-kit) #PGW725 - $42.00

The Costumer Manifesto: Ethnic Dress Links

The Costumer Manifesto is the destination for anyone interested in ethnic costume. This page contains a gazillion links to sources from all over the world.

General Traditional Dress Links

Africa

Asia

Australia

Central America

Eastern Europe

Middle East

North America

Oceania (Cultures of the Pacific Islands)

Polar Regions

South America

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Past Patterns


#503: Flapper Slip-On Evening Dress $16.00 (US dollars)

A typical dropped waist of the Roaring Twenties is created by a yoke over the hips. The tiers of circular flounces form a lovely vision while dancing. The scarf and the tie sash patterns are included. This pattern is quick and easy to make.

This pattern is multi-sized 8 through 20. All the sizes are in one package. Look at our National Standard size chart for your size. Sizes 8-12 require 5 3/8 Yds. of 45 inch wide fabric; sizes 14-20 require 5 5/8 Yds. of 45 inch wide fabric.


Saundra Ros Altman's: Past Patterns

The Historical Pattern Company
Dedicated to Accuracy Since 1979

Accurate Federal, Jacksonian, Civil War, Gilded Age, Edwardian and WWI up to WWII Clothing Patterns for Men, Women and Children

Moccasins and Leather Craft Patterns


HOW TO MAKE LENAPE STYLE MOCCASINS
Shared by Mèssochwen Tëme

The same pattern is used for both feet so you only have to make one pattern. Once you make the pattern you're all set, and you can save it for making more moccasins in the future.

Manataka.org








Bear Creek Leather

Leathercrafting Patterns
Leathercrafting Patterns Any leathercraft pattern you could ever want. From moccasin patterns to holster, quiver, and archery leather work patterns. If you don't find what you're looking for here try our bookshelf section, where we have books full of different patterns for you to try your leather working skills on.












4directions.org



Curriculum Areas: Moccasin Making

Recommended Levels: 7th -12th graders

Time Frame: 55 minutes 2 times a week

Tribal Affiliation: Navajo

Geographic Location: Rock Point Arizona

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by:
Bennie Begay
 

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