Fiber Focus

For textile and fiber art addicts who are curious about the world.

My friend AmyPG invited me to see this today. At first, I was skeptical, but I tried to keep an open mind, and I was happy to be hanging out with Amy. By the end, she and I were working together on helping each other "glow." (The use of the word "glow" was starting to sound cultish by the end of the film, but the message is still good. Basically, find your joy, be in your truth, that kind of stuff.)

One of the women in the film said, "Focus on what you feel most passionate about, what brings you the most joy; whatever tears at your heartstrings, do that."

Focus has always been an issue for me. So, I tried to think about what brings me the most joy. When I sold Pumpkin Button Up Cloche at Agora, that felt so wonderful. It wasn't just about someone buying something I made -- it was knitting, and my design, and I enjoyed making it so much, and I loved putting it on her head, she looked so beautiful in it, and the fact that she had seen it, and came back for it, and her boyfriend was buying it for her. Somebody loved it THAT MUCH. And I loved that. Swoon!

Then I tried to compare that with knitting art. I have these ideas for knitted art, but I'm procrastinating. Sometimes I procrastinate because the project is still cooking on the back burner, but sometimes I procrastinate because I dread the intensity of getting into a project like that. And sometimes I procrastinate because something else sounds like more fun -- like knitting hats and making imprints on silk scarves.

I'm trying to not guilt myself about any of this. I'm trying to say, "So, you are making this right now. That's fine." But there is also this little voice saying, "Don't forget about ME! I have something important to share, too!" It's like this little person jumping up and down inside my brain waving her arms. And then I am forced to think about it again, and not think about what I am working on, which sucks all the joy out.

What I want most is to bring it all together and be one, whole person. I still don't know how to do that.

Sometimes I feel like I make art about the ugly stuff, which gets that out of the way so I can make beautiful things to share with people. Which basically means art is therapy. And therapy is sometimes necessary, but not always fun. But back to focusing on what brings me joy: making art does not bring me the kind of joy that knitting beautiful things for people to wear does. It is cathartic, but doesn't leave me feeling satisfied.

Right now, the knitted art in my mind is being turned into wearable art. And this, I think, might be the path to wholeness I am seeking.

And this is how I feel today.

I plan to start posting videos about process. We'll see how it goes. Stay tuned...

Tags: art, fiber, process

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Free Vintage Paper Doll Pattern



Karen's Whimsey has this free Paper Doll pattern on her website.  Clothing for the doll also available.  Images are in the public domain.


American Folk Art Doll Pattern



This doll pattern and other folk patterns can be purchased at Cloth Doll Supply.  Their description:

HISTORICAL FOLK DOLL #11
The New York Doll

This 16" doll has made herself quite famous by being chosen to be on the cover of a well-known book of American Folk Dolls, by Wendy Lavitt. She is such a good doll for a cover as she has just about all the best details of this type of doll. Separate fingers, a wonderful and exaggerated face and hair all carefully embroidered, including her remarkable feather-stitched eyebrows, and a costume of just-right simplicity and detail. She has with her the same small cat the doll in the photo has. Silkscreened for embroidery and new antiquing methods included.
Pattern (mini-kit) #PGW725 - $42.00

The Costumer Manifesto: Ethnic Dress Links

The Costumer Manifesto is the destination for anyone interested in ethnic costume. This page contains a gazillion links to sources from all over the world.

General Traditional Dress Links

Africa

Asia

Australia

Central America

Eastern Europe

Middle East

North America

Oceania (Cultures of the Pacific Islands)

Polar Regions

South America

Western Europe

Continue

Past Patterns


#503: Flapper Slip-On Evening Dress $16.00 (US dollars)

A typical dropped waist of the Roaring Twenties is created by a yoke over the hips. The tiers of circular flounces form a lovely vision while dancing. The scarf and the tie sash patterns are included. This pattern is quick and easy to make.

This pattern is multi-sized 8 through 20. All the sizes are in one package. Look at our National Standard size chart for your size. Sizes 8-12 require 5 3/8 Yds. of 45 inch wide fabric; sizes 14-20 require 5 5/8 Yds. of 45 inch wide fabric.


Saundra Ros Altman's: Past Patterns

The Historical Pattern Company
Dedicated to Accuracy Since 1979

Accurate Federal, Jacksonian, Civil War, Gilded Age, Edwardian and WWI up to WWII Clothing Patterns for Men, Women and Children

Moccasins and Leather Craft Patterns


HOW TO MAKE LENAPE STYLE MOCCASINS
Shared by Mèssochwen Tëme

The same pattern is used for both feet so you only have to make one pattern. Once you make the pattern you're all set, and you can save it for making more moccasins in the future.

Manataka.org








Bear Creek Leather

Leathercrafting Patterns
Leathercrafting Patterns Any leathercraft pattern you could ever want. From moccasin patterns to holster, quiver, and archery leather work patterns. If you don't find what you're looking for here try our bookshelf section, where we have books full of different patterns for you to try your leather working skills on.












4directions.org



Curriculum Areas: Moccasin Making

Recommended Levels: 7th -12th graders

Time Frame: 55 minutes 2 times a week

Tribal Affiliation: Navajo

Geographic Location: Rock Point Arizona

Developed


by:
Bennie Begay

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